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- Yoga practice saves plant species
- African olive
- Never smile at a crocodile
- Child ‘scientists’
- Connecting people with plants
- Big flowering aloes
- Some like it cold
- Exotic home-grown honey
- Trust scientist researching mint family
- Check out these seedy facts
- Sculpture by the Sea winner unveiled
- Historic Shiraz vines planted
- Lend a helping hand
- Artist in Residence 2012
- Margaret Flockton Award 2014 exhibition
- Research Visit to New Caledonia
- Community Gardeners Awarded
- Eucalyptus Rust a Major Threat
- Visit to Little Brothers of Francis Hermitage
- Camden Show a Winner
- Estuary Plants
- New facilities for visitors
- PlantBank fundraising success!
- Creating a hotspot
- Dragon’s blood tree
- Saving Australia’s threatened rainforests
- Gardens' awards
- A significant anniversary
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- Twilight highlights tour
- Frangipani Show
- The coming of the kauris
- Blue Mountains Botanic Garden turns 25
- 25th birthday
- The Garden of Ideas
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- Steps swing into history
- Landcom Carols in the Garden
- The time of our lives
- Conifer with a heartbeat
- Environmental architecture supports plant conservation
- Creating kitchen gardens
- Enjoy a sustainable NYE
- Homebake music, film, comedy & arts festival
- The art and craft of gardening
- New collected poems
- Celebrating the year of the farmer
- Spring has arrived
- Budding photography winners
- Lachlan Macquarie Medal
- Bloomberg supports conservation
- Apprentices assist Community Greening
- A match made in history
- These boots were made for walking
- Wallaroos vs Weedy Invaders
- The Cabbage Tree Hat
- Finding pictures wherever you are
- Get planting this spring!
- Korean visitors
- Figures in the Landscape
- New Director creates ambitious plans
- The Wiggles
- Foster a tree
- Sculptures by the Sea
- National recognition
- New Chair
- Pamela Jane Harrison
- Students plant palms
- Flying-foxes relocated
- PlantBank creating a unique woodland landscape
- Root Rot
- Allan Correy says good-bye
- National Tree Day
- Historic red cedar propagation
- Foundation and Friends merge
- Amazing Double Discovery
- Flying-fox relocation
- Government recognises outstanding Trust staff
- Revitalising the hedges
- Connections Garden
- Dragon's blood tree
- Outstanding success in a Federal Grant Scheme
- Leave your Legacy for Life
- New DNA techniques
- World Heritage Exhibition Centre
- Botanic Garden Mountain Biking
- Year of the Farmer
- Social media
- Trees in the Gardens
- Australian PlantBank
- Dedicate a rosebush
- Quick links
Who built PlantBank?
The architectural design team was lead by BVN Donovan Hill and included landscape architects 360 Degrees, engineers AECOM and a team of sub-consultants. The construction was carried out by Hansen Yuncken and project management services were provided by Thinc Projects.
How did the building’s design originate?
The Australian PlantBank is a research facility that sits at the heart of sustainability. Architects BVN Donovan Hill have designed a building specifically to address the research, conservation and education needs of the Royal Botanic Gardens & Domain Trust. The architecture uses metaphor to communicate that broad conceptual idea that 'PlantBank is positioned globally as a symbol of the preservation of the natural cycle from the germination of seed to the propagation of forests'. It does so from the large scale siting strategy through to the selection of materials and detailing.
The critically endangered Cumberland Plain Woodland situated directly to the north of the site and the plant nursery to the south 'bookends' scientific research at PlantBank. James Grose, National Director, BVN Donovan Hill, explains 'In an architectural sense they articulate the transformational character of the intellectual and practical functions of PlantBank. The dialogue is between the natural systems of the woodland and the cultivated nursery. The transformational research - i.e. the transformation of the natural to the cultivated and the cultivated to the natural - is the conceptual idea underpinning PlantBank.'
To enhance the visitor’s experience of the surrounding natural woodland and to associate the importance of the woodland to the activity inside the building, the approach from the visitor car park is a transitional experience from the motor vehicle to an embedding of the visitor in the natural setting of PlantBank. It is a definite cue that this is a building concerned with nature and sustainability. The need to position the building on the site’s upper level with existing buildings requires the visitor to ascend six metres from the road level to the building. To enable a ramp journey over this height the visitor moves under the footprint of the building and then continues, to the front door which is located opposite the woodland. The incision in the earth to enable this stroll 'is further evidence of the nature metaphor - the moving between shadow and light, the entry to a cave or simply the idea of moving from the vastness of the Australian landscape into the intimacy of the forest. It is a journey from the terrestrial to the verdant', said Mr Grose.
The interpretive function of PlantBank has indirectly influenced internal planning. The plan form allows views into the working sections of the building: from the entry through to the lobby (Telopea Gallery) visitors will see researchers working within the labs. Mr Grose explains, 'Beyond this, visitors will be able to view the incubators, cold storage facilities and the Seed Vault. The Seed Vault is the conceptual focus of the research, being the repository of seeds. The visitor heart of the building is the narrow lobby form at the junction of the research, workplace and information zones of the building. From the lobby the visitor can see all the internal functions of PlantBank and because of the thinness of the plan emphasising the woodland, the backdrop is surrounding nature. The conundrum is that the interior functioning of the building is only accessible during working hours. The architectural strategy for interpretation has therefore taken a wider view of the building in the setting and landscape of the Garden.'
Walking through the Garden is a fundamental way of experiencing the various landscape and built settings and, with the Stolen Generations Memorial adjacent to the site, PlantBank is ideally sited to associate with the weekend visitor’s walking and exploring experience. Hence the overarching architectural approach has been to create a new 'place' in the Garden rather than just another building which is shut down after hours. The landscape metaphor is the key to creating this place. Firstly, the walking track from the Stolen Generations Memorial aligns with the ground level entry to PlantBank; secondly, the ramp and path which lead to the entry continues toward the woodland so that the walker will arrive at the edge of the natural forest; and thirdly the design of the 'captured' landscape within the curve of the building contains seating, discrete areas for groups, shade and contemplation spaces.
Does the building have a green star rating?
The Royal Botanic Gardens & Domain Trust discussed seeking a Green Star rating with the Green Building Council in the early stages of the project development. As the Australian PlantBank is a mixture of building functions - including offices, laboratories, museum spaces, etc. - the Green Building Council did not have a rating tool suitable to evaluate the building. Rather than spend in excess of $150,000 to develop a rating tool and document all the necessary information the Trust decided to invest that money in sustainable features such as the thermal labyrinth
Are there solar panels on the roof?
The Australian PlantBank does have a gas boosted solar hot water system but no photoelectric panels as yet. The architect has designed a very sustainable building from the ground up. Solar panels can always be added but there is an investment of funding in energy efficient design to minimise utility consumption. The design brief was to:
What sustainability features have been included?
The building has been sited to:
The materials used in construction of the building were selected after consideration of a range of factors including recycled content, whole of life cycle costs, maintenance properties, combustibility, and potential for recycling. The materials used include:
Mass construction to moderate internal temperatures, especially floors and ceilings.
The building’s orientation and form were designed to make the most of the local climate, including prevailing winds, seasonal and diurnal temperature ranges, wind speed and relative humidity.
(f) Heating Ventilation & Cooling (HVAC )
A labyrinth was installed underneath the building to provide passive thermal storage. The system is designed to reduce the peaks and troughs of extreme ambient weather by capturing the heat of the day or the cool of the night, retaining it in the surrounding concrete, earth and rock beds and then slowly releasing the thermal energy to help warm or cool the building (by as much as 7.6°C based on engineers models). The thermal labyrinth reduces HVAC load and extends natural ventilation, particularly during summer when fresh air pre-cooled overnight will circulate and force out warm air. In addition to this feature, the building was designed with:
(j) Fire protection zone
Why didn’t you build a green roof?
Green roof technology works quite well in places where there are moderate temperatures and frequent rainfall; however, in Western Sydney temperatures can exceed 40°C and rainfall can be infrequent. As an alternative, the project team decided to capture rainfall and redirect it to an underground 100 kL (100,000 litres) water tank. This water is recycled back into PlantBank to flush all the toilets and will eventually water the lichen garden.
PlantBank’s eastern earthen embankment also acts like a green roof by keeping the lower ground mechanical plant rooms cool. The thermal labyrinth takes advantage of the stable cool environment as an energy saving feature.
How big is the Australian PlantBank?
PlantBank consists of about 3000 m² of floor space (or the area of 2.5 Olympic swimming pools) made up of laboratories, the seed vault, a cryogenic store, meeting rooms, a library and office space for staff, as well as a large foyer for visitor engagement.
How many people helped build the Australian PlantBank?
Over 1000 people have contributed to the building process alone.
What is the timber veneer used in the building?
The veneer used throughout the building is Eucalyptus regnans or the mountain ash. Eucalyptus regnans is the largest flowering tree in the world. The veneer and backing material was sourced from Forestry Stewardship Certified approved suppliers.
What was once on the site where the Australian PlantBank now stands?
Immediately prior to construction the area was a mixture of bulk storage and nursery facilities. Construction has returned green space to the Australian Botanic Garden following an extensive rehabilitation program. Over time the landscape will blend in to the surrounding critically endangered Cumberland Plain Woodland