Techniques for pressing and drying specimens have been established for many years. There are minor variations in recommended methods, but they are essentially the same worldwide.
The best specimens are plants that are pressed as soon as possible after collection, before wilting and shrivelling. Most plants may be kept in sealed containers such as plastic bags for up to a day if it is inconvenient to press immediately. However, some plants show such rapid wilting, particularly of the flowers, that such delays are best avoided. Flowers with a lot of nectar may go mouldy very quickly if excess nectar is not shaken off before pressing.
Specimens are pressed flat and dried between sheets of absorbent blotters or semi-absorbent paper such as newspaper. Papers with a glossy surface should be avoided because they are not absorbent enough to aid drying. The plant should be carefully laid out between the drying sheets, as their form at this stage largely determines their ultimate appearance. The flowers should be spread out with the petals carefully arranged, wilted leaves should be straightened and unnecessary shoots of excessively twiggy shrubs may be cut away.
Large flowers (e.g. Nymphaea) or inflorescences (e.g. Telopea) are best cut in half lengthways before pressing. Large and/or succulent fruit is often best preserved by cutting both longitudinal and transectional (from different fruit) sections from them and drying these. Care is necessary to ensure that the maximum amount of useful information is preserved.
Sheets of thick, preferably smooth-sided, centre-corrugated cardboard (such as used in cardboard carton sides), placed between the drying folders will assist air circulation through the press. These are particularly necessary when using a forced circulation of warm air. If such cardboard is not available, additional sheets of newspaper or wooden board (e.g. plywood) may be used to absorb moisture from succulent specimens.
When plants are uneven in thickness, e.g. where flowers are borne on thick twigs or arise from a thick bulbous base, sheets of spongy plastic foam (polyurethane or similar) about 1 cm thick, placed between the newspaper folders, help to distribute pressure evenly across the specimen. If foam sheets are not available, several thicknesses of folded newspaper may be used. Care must be taken to ensure 'damp spots' do not develop in the press. When using foam sheets it is advisable to circulate warm air around the press or change the drying papers more frequently.
Specimens are best pressed with moderate pressure, preferably in an arrangement that will permit as free a circulation of air as possible. This can be achieved by strapping the pile together in a press, i.e. between frames made, for example, from sheets of heavy (non-bending) cardboard, hardboard, plywood, pegboard or, best of all, a lattice of wood or weldmesh (see picture). Supplies of suitable materials can usually be obtained from packaging and cardboard manufacturers, who will cut materials to suitable sizes, or from hardware or building suppliers. The press frames should be the same size as or a little larger than the drying papers. Amateur collectors often press small numbers of specimens by placing books or other weights on the pile of specimens, but this is not recommended as specimens quickly go mouldy without air circulation.
The papers should be checked for dampness and changed when necessary. As the number of changes required will vary with the original succulence/water content of the plants and with the weather conditions, no exact guide can be given. Most plants should dry in less than ten days. For the first few days the paper should be changed daily, but after that time the frequency of changes needed depends on conditions and relative humidity levels. In tropical and wet conditions daily changes will be necessary throughout the drying period, but in drier conditions the last one or two changes need only be given at intervals of three or four days. Used paper should be discarded, or thoroughly dried again before re-use.
When in the field for an extended time, drying can be aided by placing the pressed plants in a warm, sunny position during the day. In reasonably dry climates, drying is aided by securing the presses to the roof rack of the vehicle whilst driving in dry daytime conditions. If available, a hot-air fan directing air around the press will assist drying. Drying cabinets with a forced circulation of warm air are used in large herbaria to shorten drying time and to lessen the need to change drying papers, but are not necessary for small quantities of specimens.
A few species regularly turn black on drying, but in general, brownish or blackish colours in the completed specimens, or the growth of mould, indicate that drying was too slow, often because the papers were not changed frequently enough in the early stages of drying.
Microwave ovens
Small numbers of specimens can be dried using a microwave oven. The technique recommended in the literature is to place the specimens between unprinted absorbent paper, for example butcher's paper, not newspaper, which is unsuitable because the chemicals present in the ink may cause a fire. The specimens should be put in a special press which should be of a microwave-safe material (wood, acrylic or polycarbonate sheeting e.g. plexiglass or perspex, NO metal components). If such a press is not available, sheets of cardboard can be placed above and below the specimens and then weighted down. Drying time depends on the power of your oven. In most cases drying is accomplished by irradiating at maximum power for 1-2 minutes per specimen, although it is often a case of trial and error. It is best to process no more than 10-12 specimens of average thickness per batch. Specimens are usually dried after the moisture that characteristically appears on the glass door has disappeared. If the specimen is damp when taken out of the oven, allow it to stand before re-radiating as moisture continues to evaporate from the specimen for some time. Care must be taken not to irradiate the specimens for too long.
It should be noted that microwave treatment damages seeds and the cellular structure of the plants which may reduce the long-term value of the specimens.